During my studies at Point Blank Music School, I was tasked with composing a sound design-led score for a cosmic scene from “The Tree of Life”.

To gain full control over the sound design, I built custom instruments in Reaktor, a modular soft synth by Native Instruments, and used subtractive synthesis to create fully original sounds. The result is an immersive soundscape driven by hypnotic arpeggios and brooding basslines.